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Looking at Me Like That (live at Sydney Opera House) album cover

ISRC

USAT22223039

Looking at Me Like That (live at Sydney Opera House)

Song: LOOKING AT ME LIKE THAT

Vance Joy
matched
Released 2023-04-14

Last verified:

USAT22223039 is the International Standard Recording Code (ISRC) for the recording “Looking at Me Like That (live at Sydney Opera House)” by Vance Joy, released 2023-04-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES ROBERT EARP, JAMES KEOGH.

Format

USCountry
AT2Registrant
22Year (2022)
23039Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Looking at Me Like That (live at Sydney Opera House)" by Vance Joy?
The ISRC for "Looking at Me Like That (live at Sydney Opera House)" by Vance Joy is USAT22223039.
Who wrote "Looking at Me Like That (live at Sydney Opera House)"?
"Looking at Me Like That (live at Sydney Opera House)" was written by JAMES ROBERT EARP, JAMES KEOGH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22223039?

USAT22223039 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Looking at Me Like That (live at Sydney Opera House)” by Vance Joy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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