LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX) album cover

ISRC

USAT21803000

LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)

Song: LOVE ME STILL (FEAT. JESSIE REYEZ)

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USAT21803000 is the International Standard Recording Code (ISRC) for the recording "LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JESSIE REYEZ, JERMAINE JERREL JACKSON, ANDREW BRETT HARR.

Format

USCountry
AT2Registrant
18Year (2018)
03000Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)

People also ask

What is the ISRC for "LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)"?
The ISRC for "LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)" is USAT21803000.
Who wrote "LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)"?
"LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)" was written by JESSIE REYEZ, JERMAINE JERREL JACKSON, ANDREW BRETT HARR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21803000?

USAT21803000 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LOVE ME STILL (FEAT. JESSIE REYEZ) (LATMUN EXTENDED MIX)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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