COLLECT MY LOVE FEAT. ALEX NEWELL album cover

ISRC

USAT21500559

COLLECT MY LOVE FEAT. ALEX NEWELL

Song: COLLECT MY LOVE

THE KNOCKS
unmatchedNot yet matched in the MLC database
Released 2016-03-04

Last verified:

USAT21500559 is the International Standard Recording Code (ISRC) for the recording "COLLECT MY LOVE FEAT. ALEX NEWELL" by THE KNOCKS, released 2016-03-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRISTOPHER PAUL CASWELL, BENJAMIN MICHAEL RUTTNER, JAMES PATTERSON, and others.

Format

USCountry
AT2Registrant
15Year (2015)
00559Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCOLLECT MY LOVE FEAT. ALEX NEWELL

People also ask

What is the ISRC for "COLLECT MY LOVE FEAT. ALEX NEWELL" by THE KNOCKS?
The ISRC for "COLLECT MY LOVE FEAT. ALEX NEWELL" by THE KNOCKS is USAT21500559.
Who wrote "COLLECT MY LOVE FEAT. ALEX NEWELL"?
"COLLECT MY LOVE FEAT. ALEX NEWELL" was written by CHRISTOPHER PAUL CASWELL, BENJAMIN MICHAEL RUTTNER, JAMES PATTERSON, ROZZI CRANE, AUTUMN ROWE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21500559?

USAT21500559 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "COLLECT MY LOVE FEAT. ALEX NEWELL" by THE KNOCKS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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