Every Night Is Saturday Night album cover

ISRC

USAT10000026

Every Night Is Saturday Night

Song: EVERY NIGHT IS SATURDAY NIGHT

Jesse Davis
matched
Released 1970-01-01

Last verified:

USAT10000026 is the International Standard Recording Code (ISRC) for the recording “Every Night Is Saturday Night by Jesse Davis, released 1970-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVIS.

Format

USCountry
AT1Registrant
00Year (2000)
00026Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVISComposer
WARNER-TAMERLANE PUBLISHING CORP. OriginalPublisher100.00%IPI: 00185314175

Who publishes this song?

WARNER-TAMERLANE PUBLISHING CORP.OriginalPublisher
IPI: 00185314175

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Every Night Is Saturday Night" by Jesse Davis?
The ISRC for "Every Night Is Saturday Night" by Jesse Davis is USAT10000026.
Who wrote "Every Night Is Saturday Night"?
"Every Night Is Saturday Night" was written by DAVIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT10000026?

USAT10000026 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Every Night Is Saturday Night by Jesse Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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