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ISRC

USASN1502084

YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)

Song: YA NO SALE EL SOL

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USASN1502084 is the International Standard Recording Code (ISRC) for the recording "YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANGEL LUIS ORTIZ, KELVIN ENRIQUE PADILLA SANTOS, JOEL MUNOZ, and others.

Format

USCountry
ASNRegistrant
15Year (2015)
02084Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

JOEL MUNOZIPIKELVIN ENRIQUE SR PADILLAIPIANGEL LUIS ORTIZ-TORRESIPIRANDY ORTIZ ACEVEDOIPI

People also ask

What is the ISRC for "YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)"?
The ISRC for "YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)" is USASN1502084.
Who wrote "YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)"?
"YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)" was written by ANGEL LUIS ORTIZ, KELVIN ENRIQUE PADILLA SANTOS, JOEL MUNOZ, JOEL A MUNOZ, KELVIN ENRIQUE SR PADILLA, ANGEL LUIS ORTIZ-TORRES, RANDY ORTIZ ACEVEDO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASN1502084?

USASN1502084 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "YA NO SALE EL SOL (FEAT. LA MATERIALISTA & WISO G)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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