Too Drunk to Drive Drunk album cover

ISRC

USARL1672813

Too Drunk to Drive Drunk

Song: TOO DRUNK TO DRIVE DRUNK

Joe Louis Walker
unmatchedNot yet matched in the MLC database
Released 2016-06-10

Last verified:

USARL1672813 is the International Standard Recording Code (ISRC) for the recording "Too Drunk to Drive Drunk" by Joe Louis Walker, released 2016-06-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ARLRegistrant
16Year (2016)
72813Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainz

People also ask

What is the ISRC for "Too Drunk to Drive Drunk" by Joe Louis Walker?
The ISRC for "Too Drunk to Drive Drunk" by Joe Louis Walker is USARL1672813.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USARL1672813?

USARL1672813 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Too Drunk to Drive Drunk" by Joe Louis Walker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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