ISRC

USAFM0600770

SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING

Song: SO SAD (TO WATCH GOOD LOVE GO BAD)

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USAFM0600770 is the International Standard Recording Code (ISRC) for the recording “SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DONALD I EVERLY.

Format

USCountry
AFMRegistrant
06Year (2006)
00770Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DONALD I EVERLYComposer
TROPICBIRD MUSIC OriginalPublisher0.00%
CLEARBOX RIGHTS LLC RightsAdministrator100.00%IPI: 00648128335

Who publishes this song?

TROPICBIRD MUSICOriginalPublisher
CLEARBOX RIGHTS LLCRightsAdministrator
IPI: 00648128335

MLC Song Code

SourcesMLC

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People also ask

What is the ISRC for "SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING"?
The ISRC for "SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING" is USAFM0600770.
Who wrote "SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING"?
"SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING" was written by DONALD I EVERLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAFM0600770?

USAFM0600770 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SO SAD TO WATCH GOOD LOVE GO BAD - RE-RECORDING. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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