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ISRC

USA561121972

PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]

Song: PRAISE HIM PRAISE HIM

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USA561121972 is the International Standard Recording Code (ISRC) for the recording “PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANNY ZALOUDIK, MIKE SPECK, CHESTER ALLEN, and others.

Format

USCountry
A56Registrant
11Year (2011)
21972Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

LARI GOSSIPI

People also ask

What is the ISRC for "PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]"?
The ISRC for "PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]" is USA561121972.
Who wrote "PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]"?
"PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]" was written by DANNY ZALOUDIK, MIKE SPECK, CHESTER ALLEN, LARI GOSS, FANNY CROSBY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA561121972?

USA561121972 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PRAISE HIM PRAISE HIM (IN THE STYLE OF GOSPEL - HYMN) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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