ISRC

USA561102808

COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]

Song: COMIN' UP SHORT AGAIN

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USA561102808 is the International Standard Recording Code (ISRC) for the recording “COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BOB DI PIERO, VINCE GILL.

Format

USCountry
A56Registrant
11Year (2011)
02808Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCOMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]

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People also ask

What is the ISRC for "COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]"?
The ISRC for "COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]" is USA561102808.
Who wrote "COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]"?
"COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]" was written by BOB DI PIERO, VINCE GILL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA561102808?

USA561102808 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “COMING UP SHORT AGAIN (IN THE STYLE OF PERFECT STRANGER) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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