ISRC

USA371506969

MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]

Song: MR. POLICEMAN

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USA371506969 is the International Standard Recording Code (ISRC) for the recording “MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JIMMIE RODGERS, CHARLES CHRISTOPHER DU BOIS, BRAD PAISLEY, and others.

Format

USCountry
A37Registrant
15Year (2015)
06969Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]

People also ask

What is the ISRC for "MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]"?
The ISRC for "MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]" is USA371506969.
Who wrote "MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]"?
"MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]" was written by JIMMIE RODGERS, CHARLES CHRISTOPHER DU BOIS, BRAD PAISLEY, JIM BEAVERS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371506969?

USA371506969 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MR POLICEMAN (IN THE STYLE OF BRAD PAISLEY) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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