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ISRC

USA371060062

ELU RIE ALA RIE (MERENGUE) WARRIOR

Song: ELU RIE ALA RIE MERENGUE WARRIOR

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USA371060062 is the International Standard Recording Code (ISRC) for the recording "ELU RIE ALA RIE (MERENGUE) WARRIOR". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANSATCH FEDINAND OPARA.

Format

USCountry
A37Registrant
10Year (2010)
60062Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DANSATCH FEDINAND OPARAComposerLyricist
WYLD PYTCH MUSIC PUBLISHING LIMITED OriginalPublisher0.00%IPI: 00889909351
SENTRIC MUSIC LIMITED SubPublisher100.00%IPI: 00509030978

Who publishes this song?

WYLD PYTCH MUSIC PUBLISHING LIMITEDOriginalPublisher
IPI: 00889909351
SENTRIC MUSIC LIMITEDSubPublisher
IPI: 00509030978
SourcesMLC

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People also ask

What is the ISRC for "ELU RIE ALA RIE (MERENGUE) WARRIOR"?
The ISRC for "ELU RIE ALA RIE (MERENGUE) WARRIOR" is USA371060062.
Who wrote "ELU RIE ALA RIE (MERENGUE) WARRIOR"?
"ELU RIE ALA RIE (MERENGUE) WARRIOR" was written by DANSATCH FEDINAND OPARA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371060062?

USA371060062 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ELU RIE ALA RIE (MERENGUE) WARRIOR". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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