SICKLES AND HAMMERS album cover

ISRC

USA370538328

SICKLES AND HAMMERS

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USA370538328 is the International Standard Recording Code (ISRC) for the recording “SICKLES AND HAMMERS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DENNES D BOON, MICHAEL DAVID WATT.

Format

USCountry
A37Registrant
05Year (2005)
38328Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DENNES D BOONComposerLyricist
CESSTONE MUSIC OriginalPublisher0.00%IPI: 00231287782
COHEN AND COHEN RightsAdministrator100.00%IPI: 00258983900
MICHAEL DAVID WATTComposerLyricist
CESSTONE MUSIC OriginalPublisher0.00%IPI: 00231287782
COHEN AND COHEN RightsAdministrator100.00%IPI: 00258983900

Who publishes this song?

CESSTONE MUSICOriginalPublisher
IPI: 00231287782
COHEN AND COHENRightsAdministrator
IPI: 00258983900
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "SICKLES AND HAMMERS"?
The ISRC for "SICKLES AND HAMMERS" is USA370538328.
Who wrote "SICKLES AND HAMMERS"?
"SICKLES AND HAMMERS" was written by DENNES D BOON, MICHAEL DAVID WATT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA370538328?

USA370538328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SICKLES AND HAMMERS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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