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LOVE INSANE (vaporwave remix) album cover

ISRC

USA2P2539732

LOVE INSANE (vaporwave remix)

Song: LOVE INSANE

MAXJAY of ENHYPEN
unmatchedNot yet matched in the MLC database
Released 2025-08-22

Last verified:

USA2P2539732 is the International Standard Recording Code (ISRC) for the recording “LOVE INSANE (vaporwave remix)” by MAX, JAY of ENHYPEN, released 2025-08-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAXWELL GEORGE SCHNEIDER, DAVID BRADLEY JR WILSON, BRANDON COLBEIN SKEIE, and others.

Format

USCountry
A2PRegistrant
25Year (2025)
39732Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLOVE INSANE (vaporwave remix)
IPIMAXWELL GEORGE SCHNEIDER

People also ask

What is the ISRC for "LOVE INSANE (vaporwave remix)" by MAX?
The ISRC for "LOVE INSANE (vaporwave remix)" by MAX, JAY of ENHYPEN is USA2P2539732.
Who wrote "LOVE INSANE (vaporwave remix)"?
"LOVE INSANE (vaporwave remix)" was written by MAXWELL GEORGE SCHNEIDER, DAVID BRADLEY JR WILSON, BRANDON COLBEIN SKEIE, MICHAEL C DEAR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P2539732?

USA2P2539732 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LOVE INSANE (vaporwave remix)” by MAX, JAY of ENHYPEN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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