VOLVER (FEAT. RAUW ALEJANDRO) album cover

ISRC

USA2P2328129

VOLVER (FEAT. RAUW ALEJANDRO)

Song: VOLVER

TAINY SKRILLEX FOUR TET
matched
Released 2023-06-28

Last verified:

USA2P2328129 is the International Standard Recording Code (ISRC) for the recording “VOLVER (FEAT. RAUW ALEJANDRO) by TAINY SKRILLEX FOUR TET, released 2023-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SONNY MOORE, MARCOS MASIS, KIERAN MILES DAVID HEBDEN, and others.

Format

USCountry
A2PRegistrant
23Year (2023)
28129Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCVOLVER (FEAT. RAUW ALEJANDRO)

People also ask

What is the ISRC for "VOLVER (FEAT. RAUW ALEJANDRO)" by TAINY SKRILLEX FOUR TET?
The ISRC for "VOLVER (FEAT. RAUW ALEJANDRO)" by TAINY SKRILLEX FOUR TET is USA2P2328129.
Who wrote "VOLVER (FEAT. RAUW ALEJANDRO)"?
"VOLVER (FEAT. RAUW ALEJANDRO)" was written by SONNY MOORE, MARCOS MASIS, KIERAN MILES DAVID HEBDEN, KEVYN MAURICIO CRUZ MORENO, RAUL OCASIO RUIZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P2328129?

USA2P2328129 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “VOLVER (FEAT. RAUW ALEJANDRO) by TAINY SKRILLEX FOUR TET. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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