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DISAPPEARING NOW FEAT. CHANDLER LEIGHTON album cover

ISRC

USA2P2142918

DISAPPEARING NOW FEAT. CHANDLER LEIGHTON

Song: DISAPPEARING NOW

CHANDLER LEIGHTONNURKO
unmatchedNot yet matched in the MLC database
Released 2021-11-12

Last verified:

USA2P2142918 is the International Standard Recording Code (ISRC) for the recording "DISAPPEARING NOW FEAT. CHANDLER LEIGHTON" by CHANDLER LEIGHTON, NURKO, released 2021-11-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACKSON LEECH, JACK LEECH, CHANDLER LEIGHTON, and others.

Format

USCountry
A2PRegistrant
21Year (2021)
42918Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "DISAPPEARING NOW FEAT. CHANDLER LEIGHTON" by CHANDLER LEIGHTON?
The ISRC for "DISAPPEARING NOW FEAT. CHANDLER LEIGHTON" by CHANDLER LEIGHTON, NURKO is USA2P2142918.
Who wrote "DISAPPEARING NOW FEAT. CHANDLER LEIGHTON"?
"DISAPPEARING NOW FEAT. CHANDLER LEIGHTON" was written by JACKSON LEECH, JACK LEECH, CHANDLER LEIGHTON, JORDAN TARIFF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P2142918?

USA2P2142918 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DISAPPEARING NOW FEAT. CHANDLER LEIGHTON" by CHANDLER LEIGHTON, NURKO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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