ISRC

USA2P1950728

4:38AM

BARRIEFORD.FORDFORD. AND BARRIEFORD. BARRIEFORD. & BARRIEFORD.;BARRIEFORD. FEAT. BARRIEFORD. FEATURING BARRIE
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Released 2020-10-16

Last verified:

USA2P1950728 is the International Standard Recording Code (ISRC) for the recording "4:38AM" by BARRIE, FORD., FORD, FORD. AND BARRIE, FORD. BARRIE, FORD. & BARRIE, FORD.;BARRIE, FORD. FEAT. BARRIE, FORD. FEATURING BARRIE, released 2020-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUC BRADFORD, BARRIE LINDSAY.

Format

USCountry
A2PRegistrant
19Year (2019)
50728Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC4:38AM

People also ask

What is the ISRC for "4:38AM" by BARRIE?
The ISRC for "4:38AM" by BARRIE, FORD., FORD, FORD. AND BARRIE, FORD. BARRIE, FORD. & BARRIE, FORD.;BARRIE, FORD. FEAT. BARRIE, FORD. FEATURING BARRIE is USA2P1950728.
Who wrote "4:38AM"?
"4:38AM" was written by LUC BRADFORD, BARRIE LINDSAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P1950728?

USA2P1950728 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "4:38AM" by BARRIE, FORD., FORD, FORD. AND BARRIE, FORD. BARRIE, FORD. & BARRIE, FORD.;BARRIE, FORD. FEAT. BARRIE, FORD. FEATURING BARRIE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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