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Fake Chanel album cover

ISRC

USA2P1834470

Fake Chanel

Song: FAKE CHANEL

Yellow ClawA$AP FergCreek Boyz
unmatchedNot yet matched in the MLC database
Released 2018-06-22

Last verified:

USA2P1834470 is the International Standard Recording Code (ISRC) for the recording "Fake Chanel" by Yellow Claw, A$AP Ferg, Creek Boyz, released 2018-06-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
A2PRegistrant
18Year (2018)
34470Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Fake Chanel" by Yellow Claw?
The ISRC for "Fake Chanel" by Yellow Claw, A$AP Ferg, Creek Boyz is USA2P1834470.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P1834470?

USA2P1834470 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fake Chanel" by Yellow Claw, A$AP Ferg, Creek Boyz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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