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HARLEM SHAKE (IN THE STYLE OF BAAUER) album cover

ISRC

US8K20027495

HARLEM SHAKE (IN THE STYLE OF BAAUER)

Song: HARLEM SHAKE

SINGER'S EDGE KARAOKE
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US8K20027495 is the International Standard Recording Code (ISRC) for the recording "HARLEM SHAKE (IN THE STYLE OF BAAUER)" by SINGER'S EDGE KARAOKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HECTOR DELGADO, HARRY RODRIGUES, KURT MICHAEL HUNTE, and others.

Format

USCountry
8K2Registrant
00Year (2000)
27495Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHARLEM SHAKE (IN THE STYLE OF BAAUER)
IPIHECTOR DELGADO

People also ask

What is the ISRC for "HARLEM SHAKE (IN THE STYLE OF BAAUER)" by SINGER'S EDGE KARAOKE?
The ISRC for "HARLEM SHAKE (IN THE STYLE OF BAAUER)" by SINGER'S EDGE KARAOKE is US8K20027495.
Who wrote "HARLEM SHAKE (IN THE STYLE OF BAAUER)"?
"HARLEM SHAKE (IN THE STYLE OF BAAUER)" was written by HECTOR DELGADO, HARRY RODRIGUES, KURT MICHAEL HUNTE, JAYSON SCOTT MUSSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US8K20027495?

US8K20027495 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HARLEM SHAKE (IN THE STYLE OF BAAUER)" by SINGER'S EDGE KARAOKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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