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Underground (Stan Kolev extended remix) album cover

ISRC

US83Z1823192

Underground (Stan Kolev extended remix)2

Song: UNDERGROUND (PAUL THOMAS' DEX IN THE CITY DUB)

FunkagendaPaul Thomas
matched
Released 2018-10-19

Last verified:

US83Z1823192 is the International Standard Recording Code (ISRC) for the recording “Underground (Stan Kolev extended remix)” by Funkagenda, Paul Thomas, released 2018-10-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL WILLIAM THOMAS, ADAM WALDER.

Format

USCountry
83ZRegistrant
18Year (2018)
23192Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUnderground (Stan Kolev extended remix)
IPIPAUL WILLIAM THOMAS

People also ask

What is the ISRC for "Underground (Stan Kolev extended remix)" by Funkagenda?
The ISRC for "Underground (Stan Kolev extended remix)" by Funkagenda, Paul Thomas is US83Z1823192.
Who wrote "Underground (Stan Kolev extended remix)"?
"Underground (Stan Kolev extended remix)" was written by PAUL WILLIAM THOMAS, ADAM WALDER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US83Z1823192?

US83Z1823192 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Underground (Stan Kolev extended remix)” by Funkagenda, Paul Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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