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IN BETWEEN SOUND QUELLE REMIX album cover

ISRC

US83Z1531720

IN BETWEEN SOUND QUELLE REMIX2

Song: IN BETWEEN

LTN RONI JONIMONSTERCAT SILK
unmatchedNot yet matched in the MLC database
Released 2015-11-28

Last verified:

US83Z1531720 is the International Standard Recording Code (ISRC) for the recording “IN BETWEEN SOUND QUELLE REMIX” by LTN RONI JONI, MONSTERCAT SILK, released 2015-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LOUIS TANUATMADJA.

Format

USCountry
83ZRegistrant
15Year (2015)
31720Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LOUIS TANUATMADJAComposer

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MLC Song Code

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What is the ISRC for "IN BETWEEN SOUND QUELLE REMIX" by LTN RONI JONI?
The ISRC for "IN BETWEEN SOUND QUELLE REMIX" by LTN RONI JONI, MONSTERCAT SILK is US83Z1531720.
Who wrote "IN BETWEEN SOUND QUELLE REMIX"?
"IN BETWEEN SOUND QUELLE REMIX" was written by LOUIS TANUATMADJA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US83Z1531720?

US83Z1531720 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “IN BETWEEN SOUND QUELLE REMIX” by LTN RONI JONI, MONSTERCAT SILK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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