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ANDANTE FROM CONCERTO FOR TWO MANDOLINS album cover

ISRC

US5UL0736153

ANDANTE FROM CONCERTO FOR TWO MANDOLINS

Song: CONCERTO FOR TWO MANDOLINS

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US5UL0736153 is the International Standard Recording Code (ISRC) for the recording “ANDANTE FROM CONCERTO FOR TWO MANDOLINS”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSE G ROMERO, VIVALDI.

Format

USCountry
5ULRegistrant
07Year (2007)
36153Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOSE G ROMEROComposer
JACOBO MUSIC OriginalPublisher100.00%IPI: 00127006313
VIVALDIComposer
JACOBO MUSIC OriginalPublisher100.00%IPI: 00127006313

Who publishes this song?

JACOBO MUSICOriginalPublisher
IPI: 00127006313

MLC Song Code

C7198D
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People also ask

What is the ISRC for "ANDANTE FROM CONCERTO FOR TWO MANDOLINS"?
The ISRC for "ANDANTE FROM CONCERTO FOR TWO MANDOLINS" is US5UL0736153.
Who wrote "ANDANTE FROM CONCERTO FOR TWO MANDOLINS"?
"ANDANTE FROM CONCERTO FOR TWO MANDOLINS" was written by JOSE G ROMERO, VIVALDI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US5UL0736153?

US5UL0736153 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ANDANTE FROM CONCERTO FOR TWO MANDOLINS”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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