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Invisible Enemy (instrumental) album cover

ISRC

US5261923429

Invisible Enemy (instrumental)

Song: INVISIBLE ENEMY

August Burns Red
matched
Released 2017-10-05

Last verified:

US5261923429 is the International Standard Recording Code (ISRC) for the recording "Invisible Enemy (instrumental)" by August Burns Red, released 2017-10-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DUSTIN CHAD DAVIDSON, BRENT GERALD RAMBLER, JOHN BRUBAKER, and others.

Format

USCountry
526Registrant
19Year (2019)
23429Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCInvisible Enemy (instrumental)
IPIDUSTIN CHAD DAVIDSON

People also ask

What is the ISRC for "Invisible Enemy (instrumental)" by August Burns Red?
The ISRC for "Invisible Enemy (instrumental)" by August Burns Red is US5261923429.
Who wrote "Invisible Enemy (instrumental)"?
"Invisible Enemy (instrumental)" was written by DUSTIN CHAD DAVIDSON, BRENT GERALD RAMBLER, JOHN BRUBAKER, WILLIAM JACOB LUHRS, MATTHEW WILSON GREINER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US5261923429?

US5261923429 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Invisible Enemy (instrumental)" by August Burns Red. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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