ISRC

US4R31346779

BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]

Song: BACK IN MY ARMS AGAIN

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US4R31346779 is the International Standard Recording Code (ISRC) for the recording “BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RORY MICHAEL BOURKE, CRIS MOORE, LEE ROY PARNELL.

Format

USCountry
4R3Registrant
13Year (2013)
46779Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]"?
The ISRC for "BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]" is US4R31346779.
Who wrote "BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]"?
"BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]" was written by RORY MICHAEL BOURKE, CRIS MOORE, LEE ROY PARNELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US4R31346779?

US4R31346779 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BACK IN MY ARMS AGAIN (ORIGINALLY PERFORMED BY KENNY CHESNEY) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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