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She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On! album cover

ISRC

US4NP1200048

She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On!

Robert Ellis OrrallMonkey Bowl
Released 2012-09-04

Last verified:

US4NP1200048 is the International Standard Recording Code (ISRC) for the recording "She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On!" by Robert Ellis Orrall, Monkey Bowl, released 2012-09-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
4NPRegistrant
12Year (2012)
00048Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On!" by Robert Ellis Orrall?
The ISRC for "She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On!" by Robert Ellis Orrall, Monkey Bowl is US4NP1200048.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US4NP1200048?

US4NP1200048 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "She’s Got a Smile That Wakes Up the Sun, the World Comes Alive, Put Your Shades On!" by Robert Ellis Orrall, Monkey Bowl. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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