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ISRC

US4JM0650721

HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)

Song: HORN CONCERTO NO. 2 IN E FLAT

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US4JM0650721 is the International Standard Recording Code (ISRC) for the recording "HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD STRAUSS (DE).

Format

USCountry
4JMRegistrant
06Year (2006)
50721Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)
IPIRICHARD STRAUSS (DE)

Related

Songwriter profiles

RICHARD STRAUSS (DE)IPI

People also ask

What is the ISRC for "HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)"?
The ISRC for "HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)" is US4JM0650721.
Who wrote "HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)"?
"HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)" was written by RICHARD STRAUSS (DE).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US4JM0650721?

US4JM0650721 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HORN CONCERTO NO. 4 IN E-FLAT, K. 495: III. RONDO (ALLEGRO VIVACE)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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