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Let’s Get High album cover

ISRC

US4B99962406

Let’s Get High2

Song: LET'S GET HIGH

Morris Pejoe
unmatchedNot yet matched in the MLC database

Last verified:

US4B99962406 is the International Standard Recording Code (ISRC) for the recording “Let’s Get High” by Morris Pejoe. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
4B9Registrant
99Year (1999)
62406Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

GORDONComposer
KNOX MUSIC, INC. OriginalPublisher

Who publishes this song?

KNOX MUSIC, INC.OriginalPublisher

MLC Song Code

L30334
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Let’s Get High" by Morris Pejoe?
The ISRC for "Let’s Get High" by Morris Pejoe is US4B99962406.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US4B99962406?

US4B99962406 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Let’s Get High” by Morris Pejoe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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