Understanding What We’ve Grown to Be album cover

ISRC

US3X51120112

Understanding What We’ve Grown to Be2

Song: UNDERSTANDING WHAT WE'VE GROWN TO BE

We Came as Romans
matched
Released 2011-07-05

Last verified:

US3X51120112 is the International Standard Recording Code (ISRC) for the recording “Understanding What We’ve Grown to Be by We Came as Romans, released 2011-07-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KYLE PAVONE, DAVID STEPHENS, ERIC CHOI, and others.

Format

USCountry
3X5Registrant
11Year (2011)
20112Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUnderstanding What We’ve Grown to Be

People also ask

What is the ISRC for "Understanding What We’ve Grown to Be" by We Came as Romans?
The ISRC for "Understanding What We’ve Grown to Be" by We Came as Romans is US3X51120112.
Who wrote "Understanding What We’ve Grown to Be"?
"Understanding What We’ve Grown to Be" was written by KYLE PAVONE, DAVID STEPHENS, ERIC CHOI, LOU COTTON, ANDREW GLASS, JOSHUA MOORE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US3X51120112?

US3X51120112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Understanding What We’ve Grown to Be by We Came as Romans. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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