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I WISH I WAS 18 AGAIN album cover

ISRC

US3JJ1200185

I WISH I WAS 18 AGAIN

JERRY LEE LEWIS
unmatchedNot yet matched in the MLC database
Released 2012-01-01

Last verified:

US3JJ1200185 is the International Standard Recording Code (ISRC) for the recording "I WISH I WAS 18 AGAIN" by JERRY LEE LEWIS, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SONNY THROCKMORTON.

Format

USCountry
3JJRegistrant
12Year (2012)
00185Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
SONNY THROCKMORTONComposer100%
SONY/ATV TREE PUBLISHING OriginalPublisherIPI: 00425389934

Who publishes this song?

SONY/ATV TREE PUBLISHINGOriginalPublisher
IPI: 00425389934

MLC Song Code

I5912L
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I WISH I WAS 18 AGAIN" by JERRY LEE LEWIS?
The ISRC for "I WISH I WAS 18 AGAIN" by JERRY LEE LEWIS is US3JJ1200185.
Who wrote "I WISH I WAS 18 AGAIN"?
"I WISH I WAS 18 AGAIN" was written by SONNY THROCKMORTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US3JJ1200185?

US3JJ1200185 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I WISH I WAS 18 AGAIN" by JERRY LEE LEWIS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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