Everything is a Cult album cover

ISRC

US38Y2426450

Everything is a Cult2

Song: EVERYTHING IS A CULT

Hinder
unmatchedNot yet matched in the MLC database
Released 2025-05-23

Last verified:

US38Y2426450 is the International Standard Recording Code (ISRC) for the recording “Everything is a Cult by Hinder, released 2025-05-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
38YRegistrant
24Year (2024)
26450Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

MARSHAL DUTTONComposerLyricist
CODY HANSONComposerLyricist
MAIA DAVIESComposerLyricist

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Everything is a Cult" by Hinder?
The ISRC for "Everything is a Cult" by Hinder is US38Y2426450.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US38Y2426450?

US38Y2426450 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Everything is a Cult by Hinder. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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