Reville Time in Heaven album cover

ISRC

US37G0852313

Reville Time in Heaven2

Song: REVILLE TIME IN HEAVEN

Mac WisemanShenandoah Cut Ups
matched
Released 1977-01-01

Last verified:

US37G0852313 is the International Standard Recording Code (ISRC) for the recording “Reville Time in Heaven by Mac Wiseman, Shenandoah Cut Ups, released 1977-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRED KIRBY.

Format

USCountry
37GRegistrant
08Year (2008)
52313Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRED KIRBYComposer
DIXIE MUSIC PUB CO. BANK-COLE/FOX ROYALTY ACCOUNT OriginalPublisher

Who publishes this song?

DIXIE MUSIC PUB CO. BANK-COLE/FOX ROYALTY ACCOUNTOriginalPublisher
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Reville Time in Heaven" by Mac Wiseman?
The ISRC for "Reville Time in Heaven" by Mac Wiseman, Shenandoah Cut Ups is US37G0852313.
Who wrote "Reville Time in Heaven"?
"Reville Time in Heaven" was written by FRED KIRBY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US37G0852313?

US37G0852313 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Reville Time in Heaven by Mac Wiseman, Shenandoah Cut Ups. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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