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  1. Home
  2. ISRCs
  3. US33C0403705
Ain't Gonna Worry No More album cover

ISRC

US33C0403705

Ain't Gonna Worry No More

Sue Foley
Released 1995-01-01

Last verified: September 14, 2026

US33C0403705 is the International Standard Recording Code (ISRC) for the recording “Ain't Gonna Worry No More” by Sue Foley, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
33CRegistrant
04Year (2004)
03705Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Ain't Gonna Worry No More" by Sue Foley?+
The ISRC for "Ain't Gonna Worry No More" by Sue Foley is US33C0403705.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC US33C0403705?

US33C0403705 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ain't Gonna Worry No More” by Sue Foley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Sue Foley

US33C0403705 is the International Standard Recording Code (ISRC) for the recording “Ain't Gonna Worry No More” by Sue Foley, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Sue Foley

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