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One False Move (“Great Day” demo) album cover

ISRC

US2S70465032

One False Move (“Great Day” demo)

Song: "ONE FALSE MOVE(""GREAT DAY"" DEMO)"

Madvillain
unmatchedNot yet matched in the MLC database
Released 2024-11-28

Last verified:

US2S70465032 is the International Standard Recording Code (ISRC) for the recording "One False Move (“Great Day” demo)" by Madvillain, released 2024-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL DUMILE THOMPSON, OTIS JACKSON.

Format

USCountry
2S7Registrant
04Year (2004)
65032Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOne False Move (“Great Day” demo)
IPIDANIEL DUMILE THOMPSON

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Songwriter profiles

DANIEL DUMILE THOMPSONIPIOTIS JACKSONIPI

People also ask

What is the ISRC for "One False Move (“Great Day” demo)" by Madvillain?
The ISRC for "One False Move (“Great Day” demo)" by Madvillain is US2S70465032.
Who wrote "One False Move (“Great Day” demo)"?
"One False Move (“Great Day” demo)" was written by DANIEL DUMILE THOMPSON, OTIS JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US2S70465032?

US2S70465032 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "One False Move (“Great Day” demo)" by Madvillain. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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