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Section 18: Everything Starts at the Seam album cover

ISRC

US27Q0761268

Section 18: Everything Starts at the Seam

Song: EVERYTHING STARTS AT THE SEAM

The Polyphonic Spree
matched
Released 2004-08-03

Last verified:

US27Q0761268 is the International Standard Recording Code (ISRC) for the recording "Section 18: Everything Starts at the Seam" by The Polyphonic Spree, released 2004-08-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOTHY DELAUGHTER.

Format

USCountry
27QRegistrant
07Year (2007)
61268Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSection 18: Everything Starts at the Seam
IPITIMOTHY DELAUGHTER

People also ask

What is the ISRC for "Section 18: Everything Starts at the Seam" by The Polyphonic Spree?
The ISRC for "Section 18: Everything Starts at the Seam" by The Polyphonic Spree is US27Q0761268.
Who wrote "Section 18: Everything Starts at the Seam"?
"Section 18: Everything Starts at the Seam" was written by TIMOTHY DELAUGHTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US27Q0761268?

US27Q0761268 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Section 18: Everything Starts at the Seam" by The Polyphonic Spree. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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