Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion) album cover

ISRC

US23A9726535

Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion)

Sway & King TechThe Notorious B.I.G.Wu-Tang Clan

Last verified:

US23A9726535 is the International Standard Recording Code (ISRC) for the recording "Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion)" by Sway & King Tech, The Notorious B.I.G., Wu-Tang Clan. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
23ARegistrant
97Year (1997)
26535Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion)" by Sway & King Tech?
The ISRC for "Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion)" by Sway & King Tech, The Notorious B.I.G., Wu-Tang Clan is US23A9726535.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A9726535?

US23A9726535 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Get You Mad / Ten Crack Commandments / Wu-Tang: 7th Chamber - Part II (Conclusion)" by Sway & King Tech, The Notorious B.I.G., Wu-Tang Clan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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