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ISRC

US23A5011297

Let Me Go v3 / Somebody to Love / Is It You / On My Knees (Cassian remix) (KREAM edit)

KaskadeMarcus BentlyBen KimPAXRÜFÜS DU SOL
Released 2022-12-10

Last verified:

US23A5011297 is the International Standard Recording Code (ISRC) for the recording "Let Me Go v3 / Somebody to Love / Is It You / On My Knees (Cassian remix) (KREAM edit)" by Kaskade, Marcus Bently, Ben Kim, PAX, RÜFÜS DU SOL, released 2022-12-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
23ARegistrant
50Year (1950)
11297Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1950):
Last two digits of the reference year (1950). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Let Me Go v3 / Somebody to Love / Is It You / On My Knees (Cassian remix) (KREAM edit)" by Kaskade?
The ISRC for "Let Me Go v3 / Somebody to Love / Is It You / On My Knees (Cassian remix) (KREAM edit)" by Kaskade, Marcus Bently, Ben Kim, PAX, RÜFÜS DU SOL is US23A5011297.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A5011297?

US23A5011297 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Let Me Go v3 / Somebody to Love / Is It You / On My Knees (Cassian remix) (KREAM edit)" by Kaskade, Marcus Bently, Ben Kim, PAX, RÜFÜS DU SOL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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