Never Taking Me Alive album cover

ISRC

UKWX82100693

Never Taking Me Alive2

Song: NEVER TAKING ME ALIVE

Miles Kane
unmatchedNot yet matched in the MLC database
Released 2023-08-04

Last verified:

UKWX82100693 is the International Standard Recording Code (ISRC) for the recording “Never Taking Me Alive by Miles Kane, released 2023-08-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

UKCountry
WX8Registrant
21Year (2021)
00693Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Never Taking Me Alive" by Miles Kane?
The ISRC for "Never Taking Me Alive" by Miles Kane is UKWX82100693.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UKWX82100693?

UKWX82100693 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Never Taking Me Alive by Miles Kane. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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