Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio album cover

ISRC

UKGFN2200064

Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio

Song: Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio

Alexander UllmanBBC Symphony OrchestraAndrew Litton
Released 2022-06-24

Last verified:

UKGFN2200064 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio by Alexander Ullman, BBC Symphony Orchestra, Andrew Litton, released 2022-06-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

UKCountry
GFNRegistrant
22Year (2022)
00064Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio" by Alexander Ullman?
The ISRC for "Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio" by Alexander Ullman, BBC Symphony Orchestra, Andrew Litton is UKGFN2200064.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UKGFN2200064?

UKGFN2200064 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 1 in E-flat, S. 124: II. Quasi adagio by Alexander Ullman, BBC Symphony Orchestra, Andrew Litton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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