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HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024) album cover

ISRC

TCJPJ2539593

HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)

Song: HARU OBORO

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TCJPJ2539593 is the International Standard Recording Code (ISRC) for the recording “HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHIO YAMAGAMI, EIKICHI WATANABE.

Format

TCCountry
JPJRegistrant
25Year (2025)
39593Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)
IPIMICHIO YAMAGAMI

Related

Songwriter profiles

MICHIO YAMAGAMIIPIEIKICHI WATANABEIPI

People also ask

What is the ISRC for "HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)"?
The ISRC for "HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)" is TCJPJ2539593.
Who wrote "HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)"?
"HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)" was written by MICHIO YAMAGAMI, EIKICHI WATANABE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCJPJ2539593?

TCJPJ2539593 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HARU OBORO (ACOUSTIC/LIVE AT IWATE-KENMIN-HALL, 2024)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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