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ISRC

TCJPJ1999618

MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]

Song: MERRY CHRISTMAS MR. LAWRENCE

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TCJPJ1999618 is the International Standard Recording Code (ISRC) for the recording “MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAKAMOTO.

Format

TCCountry
JPJRegistrant
19Year (2019)
99618Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SAKAMOTOComposer
PACIFIC VIEW MUSIC OriginalPublisherIPI: 00051940198

Who publishes this song?

PACIFIC VIEW MUSICOriginalPublisher
IPI: 00051940198

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People also ask

What is the ISRC for "MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]"?
The ISRC for "MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]" is TCJPJ1999618.
Who wrote "MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]"?
"MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]" was written by SAKAMOTO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCJPJ1999618?

TCJPJ1999618 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MERRY CHRISTMAS MR.LAWRENCE (COVER) [MERRY CHRISTMAS MR. LAWRENCE]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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