STYX HELIX (RADIO EDIT COVER) album cover

ISRC

TCJPI2503577

STYX HELIX (RADIO EDIT COVER)

Song: STYX HELIX

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TCJPI2503577 is the International Standard Recording Code (ISRC) for the recording “STYX HELIX (RADIO EDIT COVER). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WATARU SAKAKIDA, TOMOHIRO OOSHIMA (PKA MYTH & ROID).

Format

TCCountry
JPIRegistrant
25Year (2025)
03577Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WATARU SAKAKIDAComposerLyricist
TV TOKYO MUSIC INC OriginalPublisherIPI: 00438801646
TOMOHIRO OOSHIMA (PKA MYTH & ROID)ComposerLyricist
TV TOKYO MUSIC INC OriginalPublisherIPI: 00438801646

Who publishes this song?

TV TOKYO MUSIC INCOriginalPublisher
IPI: 00438801646
SourcesMLC

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People also ask

What is the ISRC for "STYX HELIX (RADIO EDIT COVER)"?
The ISRC for "STYX HELIX (RADIO EDIT COVER)" is TCJPI2503577.
Who wrote "STYX HELIX (RADIO EDIT COVER)"?
"STYX HELIX (RADIO EDIT COVER)" was written by WATARU SAKAKIDA, TOMOHIRO OOSHIMA (PKA MYTH & ROID).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCJPI2503577?

TCJPI2503577 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STYX HELIX (RADIO EDIT COVER). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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