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ISRC

TCAEL1910752

YOU DON'T MATTER

Song: SOMEBODY THAT YOU DON'T KNOW

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TCAEL1910752 is the International Standard Recording Code (ISRC) for the recording “YOU DON'T MATTER”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JERMAINE DUPRI MAULDIN, ANTHONY PAUL JEFFERIES, JEFFREY GITELMAN, and others.

Format

TCCountry
AELRegistrant
19Year (2019)
10752Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYOU DON'T MATTER
IPIJERMAINE DUPRI MAULDIN

Related

Songwriter profiles

JERMAINE DUPRI MAULDINIPIANTHONY PAUL JEFFERIESIPIJEFFREY GITELMANIPI"TYRONE ""TY DOLLA SIGN"" WILLIAM JR GRIFFIN"IPIDANIEL ANTHONY BEAUCLERC DALEYIPISHANE LEE LINDSTROMIPI

People also ask

What is the ISRC for "YOU DON'T MATTER"?
The ISRC for "YOU DON'T MATTER" is TCAEL1910752.
Who wrote "YOU DON'T MATTER"?
"YOU DON'T MATTER" was written by JERMAINE DUPRI MAULDIN, ANTHONY PAUL JEFFERIES, JEFFREY GITELMAN, "TYRONE ""TY DOLLA SIGN"" WILLIAM JR GRIFFIN", DANIEL ANTHONY BEAUCLERC DALEY, SHANE LEE LINDSTROM, RAUL ALEXANDER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCAEL1910752?

TCAEL1910752 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “YOU DON'T MATTER”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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