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SAVING GRACE (ACOUSTIC) album cover

ISRC

TCADQ1847886

SAVING GRACE (ACOUSTIC)2

Song: SAVING GRACE

THE MAINE
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Last verified:

TCADQ1847886 is the International Standard Recording Code (ISRC) for the recording “SAVING GRACE (ACOUSTIC)” by THE MAINE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JARED J MONACO, GARRETT D NICKELSEN, PATRICK J KIRCH, and others.

Format

TCCountry
ADQRegistrant
18Year (2018)
47886Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JARED J MONACOComposer
GARRETT D NICKELSENComposer
PATRICK J KIRCHComposer
JOHN F TROTTERComposer
JOHN C O'CALLAGHANComposer

MLC Song Code

X0526A
Verify on MLC Portal →
SourcesMusicBrainzMLCNotes3 sources

Verified on

People also ask

What is the ISRC for "SAVING GRACE (ACOUSTIC)" by THE MAINE?
The ISRC for "SAVING GRACE (ACOUSTIC)" by THE MAINE is TCADQ1847886.
Who wrote "SAVING GRACE (ACOUSTIC)"?
"SAVING GRACE (ACOUSTIC)" was written by JARED J MONACO, GARRETT D NICKELSEN, PATRICK J KIRCH, JOHN F TROTTER, JOHN C O'CALLAGHAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCADQ1847886?

TCADQ1847886 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SAVING GRACE (ACOUSTIC)” by THE MAINE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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