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ISRC

TCADJ1794236

PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)

Song: PAST THE CLOUDS

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TCADJ1794236 is the International Standard Recording Code (ISRC) for the recording “PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by INCONNU COMPOSITEUR AUTEUR, MASHELL LEROY, SERGE.

Format

TCCountry
ADJRegistrant
17Year (2017)
94236Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)
IPI INCONNU COMPOSITEUR AUTEUR

Related

Songwriter profiles

INCONNU COMPOSITEUR AUTEURIPIMASHELL LEROYIPI

People also ask

What is the ISRC for "PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)"?
The ISRC for "PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)" is TCADJ1794236.
Who wrote "PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)"?
"PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)" was written by INCONNU COMPOSITEUR AUTEUR, MASHELL LEROY, SERGE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCADJ1794236?

TCADJ1794236 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PAST THE CLOUDS (FEAT. MICHELE CHECA & OSCAR URBINA)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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