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In the Face of Armageddon album cover

ISRC

TCACW1783650

In the Face of Armageddon

Song: IN THE FACE OF ARMAGEDDON

Dyscarnate
unmatchedNot yet matched in the MLC database
Released 2012-02-27

Last verified:

TCACW1783650 is the International Standard Recording Code (ISRC) for the recording “In the Face of Armageddon” by Dyscarnate, released 2012-02-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATT UNSWORTH, HENRY BATES, TOM WHITTY.

Format

TCCountry
ACWRegistrant
17Year (2017)
83650Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MATT UNSWORTHComposer
HENRY BATESComposer
TOM WHITTYComposer

Credits Graph

MLC Song Code

IVD6CB
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "In the Face of Armageddon" by Dyscarnate?
The ISRC for "In the Face of Armageddon" by Dyscarnate is TCACW1783650.
Who wrote "In the Face of Armageddon"?
"In the Face of Armageddon" was written by MATT UNSWORTH, HENRY BATES, TOM WHITTY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACW1783650?

TCACW1783650 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “In the Face of Armageddon” by Dyscarnate. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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