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HE MADE A WOMAN OUT OF ME album cover

ISRC

TCACJ1512899

HE MADE A WOMAN OUT OF ME

LETTUCEALECIA CHAKOURLETUCE FEAT. ALECIA CHAKOUR
unmatchedNot yet matched in the MLC database
Released 2015-01-01

Last verified:

TCACJ1512899 is the International Standard Recording Code (ISRC) for the recording "HE MADE A WOMAN OUT OF ME" by LETTUCE, ALECIA CHAKOUR, LETUCE FEAT. ALECIA CHAKOUR, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRED B. BURCH, DONALD L LANE HILL.

Format

TCCountry
ACJRegistrant
15Year (2015)
12899Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHE MADE A WOMAN OUT OF ME
IPIFRED B. BURCH

People also ask

What is the ISRC for "HE MADE A WOMAN OUT OF ME" by LETTUCE?
The ISRC for "HE MADE A WOMAN OUT OF ME" by LETTUCE, ALECIA CHAKOUR, LETUCE FEAT. ALECIA CHAKOUR is TCACJ1512899.
Who wrote "HE MADE A WOMAN OUT OF ME"?
"HE MADE A WOMAN OUT OF ME" was written by FRED B. BURCH, DONALD L LANE HILL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACJ1512899?

TCACJ1512899 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HE MADE A WOMAN OUT OF ME" by LETTUCE, ALECIA CHAKOUR, LETUCE FEAT. ALECIA CHAKOUR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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