ISRC

TCABC1107884

O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)

Song: O COME ALL YE FAITHFUL

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TCABC1107884 is the International Standard Recording Code (ISRC) for the recording “O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEPHEN PAULUS.

Format

TCCountry
ABCRegistrant
11Year (2011)
07884Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCO COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)

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People also ask

What is the ISRC for "O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)"?
The ISRC for "O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)" is TCABC1107884.
Who wrote "O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)"?
"O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH)" was written by STEPHEN PAULUS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCABC1107884?

TCABC1107884 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “O COME ALL YE FAITHFUL / COME NOW IS THE TIME TO WORSHIP (FEAT. RHONDA PARISH). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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