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ISRC

TCABC1101544

VERY BUSY PEOPLE (NICKY CHUCK REMIX)

Song: VERY BUSY PEOPLE

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TCABC1101544 is the International Standard Recording Code (ISRC) for the recording “VERY BUSY PEOPLE (NICKY CHUCK REMIX)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERIC JAMES VICTORINO.

Format

TCCountry
ABCRegistrant
11Year (2011)
01544Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERIC JAMES VICTORINOComposer
OBO DANGERBIRD PUBLISHING, LLC OriginalPublisherIPI: 00525187942
REACH MUSIC PUBLISHING RightsAdministratorIPI: 00631558646

Who publishes this song?

OBO DANGERBIRD PUBLISHING, LLCOriginalPublisher
IPI: 00525187942
REACH MUSIC PUBLISHINGRightsAdministrator
IPI: 00631558646

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MLC Song Code

V19292
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People also ask

What is the ISRC for "VERY BUSY PEOPLE (NICKY CHUCK REMIX)"?
The ISRC for "VERY BUSY PEOPLE (NICKY CHUCK REMIX)" is TCABC1101544.
Who wrote "VERY BUSY PEOPLE (NICKY CHUCK REMIX)"?
"VERY BUSY PEOPLE (NICKY CHUCK REMIX)" was written by ERIC JAMES VICTORINO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCABC1101544?

TCABC1101544 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “VERY BUSY PEOPLE (NICKY CHUCK REMIX)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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