ISRC

SEVWA0500109

ARE YOU AN OLD HIPPIE, SIR?

PER GESSLECLARENCE ÖFWERMANCHRISTOFFER LUNDQUIST

SEVWA0500109 is the International Standard Recording Code (ISRC) for the recording "ARE YOU AN OLD HIPPIE, SIR?" by PER GESSLE, CLARENCE ÖFWERMAN, CHRISTOFFER LUNDQUIST. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PER HAKAN GESSLE.

Format

SECountry
VWARegistrant
05Year (2005)
00109Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PER HAKAN GESSLEComposer
IPI: 00234167189
JIMMY FUN MUSIC OriginalPublisher0.00%
UNIVERSAL-POLYGRAM INTL TUNES INC. RightsAdministrator100.00%IPI: 00282802660

Who publishes this song?

JIMMY FUN MUSICOriginalPublisher
UNIVERSAL-POLYGRAM INTL TUNES INC.RightsAdministrator
IPI: 00282802660

MLC Song Code

People also ask

What is the ISRC for "ARE YOU AN OLD HIPPIE, SIR?" by PER GESSLE?
The ISRC for "ARE YOU AN OLD HIPPIE, SIR?" by PER GESSLE, CLARENCE ÖFWERMAN, CHRISTOFFER LUNDQUIST is SEVWA0500109.
Who wrote "ARE YOU AN OLD HIPPIE, SIR?"?
"ARE YOU AN OLD HIPPIE, SIR?" was written by PER HAKAN GESSLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
SourcesMLC

About This ISRC

SEVWA0500109 is an International Standard Recording Code (ISRC) that uniquely identifies this specific sound recording. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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