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HERE COMES THE HURT album cover

ISRC

SELBD9706110

HERE COMES THE HURT

Song: HERE COMES THE HURT AGAIN

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SELBD9706110 is the International Standard Recording Code (ISRC) for the recording “HERE COMES THE HURT”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALEXANDER ROTH, VIKTOR KNUT THORNSEN BROBACKE, GLENN SUNDELL, and others.

Format

SECountry
LBDRegistrant
97Year (1997)
06110Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

VIKTOR KNUT THORNSEN BROBACKEIPIGLENN SUNDELLIPIGUSTAV BENDTIPIROTH CHRISTOFFER ANDERS ROTH CHRISTOFFER ANDERSIPIANDERS OLOF WENDINIPIPER NYSTROEMIPI

People also ask

What is the ISRC for "HERE COMES THE HURT"?
The ISRC for "HERE COMES THE HURT" is SELBD9706110.
Who wrote "HERE COMES THE HURT"?
"HERE COMES THE HURT" was written by ALEXANDER ROTH, VIKTOR KNUT THORNSEN BROBACKE, GLENN SUNDELL, GUSTAV BENDT, ROTH CHRISTOFFER ANDERS ROTH CHRISTOFFER ANDERS, ANDERS OLOF WENDIN, PER NYSTROEM, CHRISTOFFER ROTH, PEDER ACKERMAN, VIKTOR BROBACKE, G BENDT, GLENN SUNDELL, PER NYSTROM, ANDERS WENDIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SELBD9706110?

SELBD9706110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HERE COMES THE HURT”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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