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  3. SEAEV1491180
Vesperae solennes de confessore, K. 339: III. Beatus vir album cover

ISRC

SEAEV1491180

Vesperae solennes de confessore, K. 339: III. Beatus vir✓2

Carolyn SampsonMarianne Beate KiellandMakoto SakuradaChristian ImmlerBach Collegium JapanMasaaki Suzuki
matched
Released 2014-01-01

Last verified: August 9, 2026

SEAEV1491180 is the International Standard Recording Code (ISRC) for the recording “Vesperae solennes de confessore, K. 339: III. Beatus vir” by Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler, Bach Collegium Japan, Masaaki Suzuki, released 2014-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T3199534204.

Format

SECountry
AEVRegistrant
14Year (2014)
91180Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCVesperae solennes de confessore, K. 339: III. Beatus vir
ISWCVesperae solennes de confessore, K. 339: III. Beatus vir

Musical Work (ISWC)

T3199534204Vesperae solennes de confessore, K. 339: III. Beatus vir

Credits Graph

MLC Song Code

B00591
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Vesperae solennes de confessore, K. 339: III. Beatus vir" by Carolyn Sampson?+
The ISRC for "Vesperae solennes de confessore, K. 339: III. Beatus vir" by Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler, Bach Collegium Japan, Masaaki Suzuki is SEAEV1491180.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. SEAEV1491180 is the ISRC for this recording; T3199534204 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC SEAEV1491180?

SEAEV1491180 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Vesperae solennes de confessore, K. 339: III. Beatus vir” by Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler, Bach Collegium Japan, Masaaki Suzuki. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T3199534204, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Carolyn SampsonMarianne Beate KiellandMakoto SakuradaChristian ImmlerBach Collegium JapanMasaaki Suzuki

SEAEV1491180 is the International Standard Recording Code (ISRC) for the recording “Vesperae solennes de confessore, K. 339: III. Beatus vir” by Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler, Bach Collegium Japan, Masaaki Suzuki, released 2014-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T3199534204.

Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler, Bach Collegium Japan, Masaaki Suzuki

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